Loomish
A dialogue between heritage, craft, and presence.
Discover Suzani
A garden kept in the dark
Suzani means needle. The originals were embroidered over years often begun at a daughter's birth, finished for her wedding. This is Loomish's reading of that patience in hand-knotted pile: pomegranates, sun-rosettes, and a field of green and gold blooming out of pure black. One piece. No second.

Abstraction, a century early
Not to fill a floor. To change what a room feels like.
Before modernism had the word, weavers in the Caucasus were already drawing it. Big medallions, latch hooked stars, color set down with total nerve. Look long enough and the shapes start to hum: forms that feel less drawn than landed, holding still in the open. Kazak is the loudest thing Loomish makes. Heavy wool, large geometry, red and indigo that hold a room by force. Made by hand, generations deep and somehow ahead of us still.



Not every carpet belongs to a single place. Khotan was shaped where worlds met along the Silk Road, where Persian artistry, Chinese ornament, and Central Asian craftsmanship gradually became one. The result is a collection rich in colour, character, and stories that still feel remarkably alive today.
Enter the Khotan collection













